Q&A with Award-Winning Poet Selina Tusitala Marsh

Selina Tusitala Marsh

Born in Tāmaki Makaurau in 1971, Dr Selina Tusitala Marsh has spent her life weaving Pacific seas into lines of poetry and scholarly works. She’s a poet, an academic, a navigator of words and worlds. At the University of Auckland, she was the first woman of Pacific descent to earn a PhD in English. She is now an Associate Professor at the university, opening an online hub for Pasifika Poetry, a gathering place for the voices of the region.

Her path is marked with milestones: a victory in London’s Literary Death Match (2015); a poem for a Queen in Westminster Abbey (2016); the mantle of New Zealand Poet Laureate (2017–2019); the honour of the New Zealand Order of Merit (2019). In recent years, her trailblazing has only widened, becoming the first Pasifika woman to hold the Katherine Mansfield Menton Fellowship (2024), and, in 2025, the first-ever Commonwealth Poet Laureate.

Her writing can be found in anthologies, journals and digital platforms. Her words gather in award-winning poetry collections and in graphic memoirs. Mophead, her breakout memoir, bent rules, collected multiple awards, and won the hearts of readers young and old.

Dr Selina Tusitala Marsh talks to Leanne Comer about becoming a poet, beating writer’s block and the importance of finding an authentic voice.

Q: When did you first know that you wanted to write?

A: When I was eleven, we had a poet come and visit our school, a really well-known poet named Sam Hunt. I’m eleven, at intermediate, I kind of stick out because I’ve got big hair and I get teased about it. And he came into the school and he had wild hair and he had these wild words that went with his hair.

And he memorised his poetry so it wasn’t staid and boring and dead on the page as we’d previously experienced poetry to be. He embodied it and performed it and he was the poem. He was a walking, talking, breathing poem. And it was at that point that I thought, ‘Could I do that?’

Q: Why do you enjoy writing poetry?

A: It gave me a voice and it gave me a standing place among my peers to be able to rehearse and recite, because I did a lot of poems by memory. Poetry gave me a command and a confidence that I didn’t feel like I had before. Poetry became a very strong, what Māori call turangawaewae, strong standing place, and it enabled me to set down my roots in my own unique way.

Q: Do you ever suffer from writer’s block?

A: Absolutely! In 2016, when I became the Commonwealth Poet, I was commissioned to write and perform a poem for Her Majesty. I plummeted into writer’s block then because I began composing and was really dissatisfied with the forced story that was coming out.

But writer’s block isn’t an excuse to sit on your hands, and so I just began reading. I researched around what Her Majesty had been doing of late, I researched around Westminster Abbey, the site of the performance, and who’d been coronated and knighted there. I just started getting inspiration, feeding my mind with facts and stories.

And I mind map a lot, I draw a lot, so it felt like I was still working even though not one line had been written that I was happy with.

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Q: What do you consider to be your greatest writing achievement?

A: I think that the ‘Unity’ poem for Her Majesty was significant. I don’t think it’s the most important poem, but it’s significant on multiple levels for my various communities around Oceania to feel represented in that space.

Q: What is the best advice about writing that you’ve ever received?

A: It might relate to the best advice about being Poet Laureate that I ever received. Peter Ireland – he’s the kaitiaki or the steward of all the Poets Laureate – said, ‘Well, you’re the Poet Laureate, Selina. You do you. That’s why you’re the Poet Laureate.’

And I think that is the ongoing challenge: for you to do you and to weed out the other imposter voices and the ‘writerly’ voice that you think you should adopt when you put something on paper. At the same time, you still need to be open to being inspired and creatively fed by the world of voices and writing out there.

Read more about Selina’s writing here.

About the Author

Born and raised in Australia, Leanne Comer has lived in Auckland, New Zealand since 1992. She is a citizen of both countries. Leanne works as a secondary school English teacher and completed the Freelance Journalism for Magazines and Webzines course at NZ Writers’ College. In her spare time, she enjoys reading, writing and travelling.

Photograph of Dr Selina Tusitala Marsh by Hayley Theyers

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